Twilight from the headlands


The military skeletons of Marin County.

Ever since I moved to California, I have had a particular vision for a Golden Gate bridge photograph in mind. The photo requires the perfect mix of weather, light, and timing. It remains elusive.

But, the great thing about shooting for the stars is that, even when you miss, you were aiming high. So it is with Battery Spencer overlooking the Golden Gate from the shoulders of Marin County. If your vision doesn’t work out perfectly, you’re still overlooking an absolutely iconic piece of industrial architecture spanning one of the most gorgeous straits in existence and flanked by a glittering jewel of a city.

So, for the fourth time I have come to this location with camera in hand and left without my vision made flesh on the memory card. Be that as it may, I did not leave empty-handed. The area provides ample opportunity in all light.

The great, swollen hulks of cargo ships come cruising into the bay from their long journey over the raucous Pacific waves, their great holds filled to bursting with ore or their decks stacked with containers, guided by nimble pilot boats that dance over the waves in great, stomach-churning arcs like skipping stones gracefully cast from Oakland under the Golden Gate and onto the breast of the open sea.


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The White Whale.

So what is this image for which I hunt? Well, as an exercise in pre-visualization and as a shared aventure I will tell you. Often, especially in the winter, a very thick and very low layer of fog steals in from over the California Current and drowns the bay and the city in a thick, cotton blanket of cloud. Only the very top of the Golden Gate Bridge’s two towers and the tallest skyscrapers in San Francisco breach the weather and appear to be floating on air.

Have other people made the image of the bridge and city in fog an icon, if not a cliched icon? Yes, but that is beside the point. My vision will bear a resemblance to these images, but will be mine alone.

From above Battery Spencer, from the very top of the highest hill along the shoulder blade of the headlands (which requires a pre-dawn hike and setup), I plan to capture the spine of Marin county, the bridge and San Francisco nestled in winter fog with a crescent moon hovering just above in the pale sky of early morning.

You can come along with me for the ride, I’ll be posting my experiences and my failures as well as (hopefully) the eventual

image! In the meantime, you and I will have to be satisfied with the juxtaposition between the luminous, hip Mecca of San Francisco and the rotting corpse of her sister county’s previous military occupation.

In a way the whole experience will be an exercise in focus and obsession. I am a big fan of Moby Dick, and, I have to admit, I find myself identifying more with Ahab than with Ishmael or Starbuck. I get Ahab. Stubb is a pragmatist, extremely lucky and extremely confident; Starbuck is a moralizer and the ship’s better conscience; Ishmael is an everyman; but Ahab is the most compelling character by far. His frustration, drive, and failings are so easy to identify with. Who wants to be a Starbuck and moralize another’s passion? Be an Ahab and find your White Whale.

I hope you’ll follow along with me on this journey and together, from Marin’s sage-perfumed heart, we will stab at this image as though it were the flanks of the White Whale himself.


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Adam Allegro - June 27, 2012 - 2:04 am

Fantastic. I, too have my White Whales that seem so elusive at times. I just took a big bite out of one goal with my shot today of Naples, but it is still not “the one”. I can feel exatly what you feel in this respect. Either way, you have done a fantastic job in all of your photos. I cannot wait to get back to the states and make my way up there. Maybe timing will work out and we will both capture amazingness together :) I still think your supermoon shots and the Lunar Eclipse (I think) shots near the Golden Gate are some of my favorite. Shoot well my friend!

The City Gray – University of Chicago Workshop Part II


Creating photographs with a narrative.

My previous post covered some of the basic ideas my fellow workshoppers and I considered on the University of Chicago campus last month. I wanted today to share with you some of the images that came from my efforts.

If you go back to my previous post and think about the rules I listed and then tried to sum those up in a single expression it might go something like this: make images with a narrative.

The story you are telling is inevitably a mix of your photographic experience and the subject, but by creating images that give the viewer someplace to go, you can invite the audience to inhabit your photo as well and populate it with their own stories. In these images I want you to come along and see the beauty of this campus as I see it.

As Ansel Adams famously said, “There are always two people in every picture: the photographer and the viewer.”


Ida Noyes CloistersIda Noyes CloistersThe Castle Courtyard, Predawn, Reynolds Club, University of ChicagoThird Floor Staircase, Ida Noyes HallThe City Gray - The University of Chicago Workshop Part II


Asymmetrical composition.

In these two photographs it was my intent to demonstrate how composing asymmetrically can aid in drawing the viewer into the photograph and onto a journey of his or her own.


The City Gray - The University of Chicago Workshop Part IIThe City Gray - The University of Chicago Workshop Part II

The City Gray - The University of Chicago Workshop Part II

The City Gray - The University of Chicago Workshop Part II

The City Gray - The University of Chicago Workshop Part II

The City Gray - The University of Chicago Workshop Part IIThe City Gray - The University of Chicago Workshop Part IIThe City Gray - The University of Chicago Workshop Part IIThe City Gray - The University of Chicago Workshop Part IIThe City Gray - The University of Chicago Workshop Part IIThe City Gray - The University of Chicago Workshop Part IIThe City Gray - The University of Chicago Workshop Part IIThe City Gray - The University of Chicago Workshop Part II


Strong post-processing

At the end of the workshop, I taught a quick session on how to take a single exposure and process for “HDR-like” effects. Here is a before and after shot. Single RAW processed only in Adobe Lightroom 4.


The Throne of Rockefeller ChapelThe City Gray - The University of Chicago Workshop Part II


Studious.

Standing in the Ida Noyes Lobby, I had to revisit a few wooden friends of mine and continue something of a series of detail shots I have made of this very ornate bench and its carved figures.

Never stop studying, never stop learning. Always look hard for that next step.


The City Gray - The University of Chicago Workshop Part IIThe City Gray - The University of Chicago Workshop Part II

The City Gray - The University of Chicago Workshop Part II

The City Gray - The University of Chicago Workshop Part IIThe City Gray - The University of Chicago Workshop Part IIThe City Gray - The University of Chicago Workshop Part II

Bruce - June 21, 2012 - 8:20 am

Really nice work Justin. Interesting how we capture the same place in such different ways. I see you caught me in #17. I’d like to go back and try again. I think being familiar with a place helps a lot in making an image. I get kind of overwhelmed in a new environment and need time to see what it is I’m looking at. I don’t know if that’s a cop out or just my reality in making images. A few of my shots have potential but I know they could be better. “Never stop studying, never stop learning. Always look hard for that next step.” Excellent advice my friend.

MikeC366 - June 22, 2012 - 4:37 am

What a great series of shots Justin. I’m especially impressed with your single shot HDR. I love the way you have not taken it too far in to the realms of the over-processed cartoon style shots you see far too often online.

I like the way to that many of your asymmetrical shots contain framing elements. I know this is not a prerequisite, but it does add to the overall composition.

BW
Mike.

Pamela Paun - June 28, 2012 - 6:18 pm

Justin, I agree with Bruce. Having never been there before it was overwhelming. I want to visit again, and this time, take my time and compose properly. Your photo’s are beautifully done. The details in your photo’s are so crisp. What you did with the HDR photo, sweet. I remember you doing that in class. Greatly done, Justin.

A Sense of Place – University of Chicago Workshop: Part 1


Three rules for better photographs.

The first of a few posts as a debriefing of the awesome workshop I hosted at the University of Chicago a few weekends past.

I had a wonderful class of some 12 photographers for my May 26th workshop. We talked a bit about photography and then headed into the beautiful Gothic confines of Fortress Chicago to try out hands at making a few great images. Today, I want to share a few of those thoughts more widely via the blog.

What makes a great image? What is it that almost all beautiful photographs share? The answer, I think, is that great images share something special between the photographer and the audience. In landscape/architecture photography great images share an undeniable sense of place.

So what I tried to do with the folks in the workshop was consider a set of relatively easy rules that help us as photographers to create that all-important sense of place.

The rules are:

1) Fill the frame.
2) The 5 second rule.
3) Give us somewhere to go.

The first rule is simple: use all the space you have. That can mean that you are using 90% of the image as negative space or it can mean that each corner is crammed with details; the important facet is to not neglect a part of the frame because your subject isn’t in it.

The second rule is a trick I use to make sure there are no distracting elements – I pause and count to five while looking through the viewfinder. Let your eye touch each edge and corner of the frame – make sure nothing (a stray branch or passerby) is leaking into the image in a way you dislike.

Finally, I encouraged my workshoppers to give their audience somewhere to go in the photograph. This can mean a lot of things, but I think of it simply – a landscape or architecture photograph is about a place, therefore, if you are irresistibly drawn into the image and delight in imagining yourself walking through a corridor or down a path in the image, then the photographer has succeeded.

Have a look at how these three simple ideas work together to create a photograph.

The gathering storm above Rockefeller Chapel

The gathering storm above Rockefeller Chapel

John Robinson - June 8, 2012 - 3:35 pm

I don’t do much photograph any longer spending most of my energy in photoshop, so I have an additional rule of thumb, that is easy to apply in photoshop, but perhaps more difficult to manifest in photography.
Actually it is just a corollary of #3, ” Give us somewhere to go.” So many deserving images are not even being given 2nd glances in this modern world of sensory bombardment, so I ‘cheat’ in photoshop in an attempt to demand a re-spect, a manipulated variable or element of the image that hopefully directs the viewers’ attention “somewhere else”, a suggestion that the actual image exceeds the frame, in some dimension.
Almost all of my images I am satisfied with, contain a “what is wrong/different/ missing?” query, a tease. It is my belief that such images generate questions that can lead the viewers to “somewhere else” – a different POV, perhaps a return to the image itself, to seek answers.

Boul Mich


The Magnificent Mile.

This images in this post remind me of and were inspired by the 1920′s era poster by Oscar Rabe Hanson (right). More of his iconic work can be found here.

From a very small and very empty lounge high above the broad shoulders of the city, I watched the first gleaming of twilight chase away the witching hour.

It was my goal to share with you the graceful curves of Boul Mich as she wove her amber way south over the river. That roadway has long been a part of my life and seeing it again was like meeting an old friend.

It was not that long ago that I wandered these streets with a Nikon N70 in hand, exposing my first rolls of Velvia with my future wife. Time rushes by. On this visit my wife and son were comfortably asleep many floors below.

San Francisco has its own charms and soon I hope to make some cityscapes from its hilltops, but Chicago is a city with an entirely different pulse. It’s a dish of mixed flavors: a taste of the New York hustle, a hint of the Paris boroughs and a healthy dose of wonderful architecture.

Before the sun made its glorious ascent over Mishigami and I headed out onto the streets with my friend Matt, I was able to capture the great Gothic crown of the Tribune tower, south Michigan Avenue and the Loop gleaming like a jewel in the violets of early morning.

Boul MichBoul Mich

bob emmerich - June 5, 2012 - 4:32 pm

Those blues and purples are to die for. You have a knack for getting that watercolor sky. Absolutely love it. Wish I was with you and Matt.

Adam Allegro - June 6, 2012 - 12:02 am

Fantastic! Taht building on the left is amazing! Its like half of it was transported here from the 12th century!

Sharon Delman - June 17, 2012 - 9:01 am

Fantastic photographs, Justin. You’ve done an amazing job with the light. You’ve also made me realize how very much I miss Chicago!

Atmospheric


An icon, buried in the marine layer.

I dearly love to photograph, but as an amateur, I find my opportunities to focus on making images have to tessellate into the open spaces left in the normal course of life. Perhaps as a consequence, I’ve learned to love making a game of finding the remarkable features of unremarkable light.

The northern end of Marshall Beach is the most popular vantage point from which to capture the bridge. The photographs in this post were taken from a spot a bit further south as I hiked from the southern trailhead (where there is a path and stairs to the streets of San Francisco) towards some friends I was meeting nearer the bridge. A set of massive boulders lay along a curve in the beach and made something of an enclosed space.

To me, the grotto these stones formed was the vantage point from which to capture the bridge. It’s this spot that so accurately represents the experience of Marshall Beach, the San Francisco Bay Strait and the reason such a massive bridge is necessary to span what is, in reality, a narrow gap.

The Golden Gate is suspended from the rafters of the Earth, anchored by San Francisco in the south and Marin in the north, and dipped bodily into the oceanic atmosphere of our blue planet. Waves roll from above and from below. These narrow strips of land to which we cling are stalwart refuges from the storm, but cannot hold out forever. America ends on a wind-swept strand where stone and surf clash, the tell-tale signs of the fury buried, sinking and crumbling in the brine.

For me, the Golden Gate Bridge is almost never the subject of a photograph in which it’s featured – I’m far too much in love with the surrounding landscape: the rugged and beautiful reason for the bridge’s existence. In my favorite photographs of the bridge, it is off in the distance, a reminder of our human efforts to tame and conquer a wild land. In this little enclave of stones, where the surf severs the southern beach from the northern reaches, the oncoming chill of night, fog and tide were rolling in strong.

These stones, the bridge, and our footprints share the same end in cold sand and blue fog.


The Golden Gate Bridge from Marshall BeachThe Golden Gate Bridge from Marshall BeachThe Golden Gate Bridge from Marshall BeachThe Golden Gate Bridge from Marshall BeachThe Golden Gate Bridge from Marshall BeachThe Golden Gate Bridge from Marshall BeachThe Golden Gate Bridge from Marshall BeachThe Golden Gate Bridge from Marshall BeachThe Golden Gate Bridge from Marshall Beach

Scott Wyden Kivowitz - May 31, 2012 - 5:58 am

The tones are so cool they are calming. Nice job!

Mark Neal - May 31, 2012 - 6:05 am

Beautiful images! Agree with Scott. . .all very calming.

Jesse Pafundi - May 31, 2012 - 6:46 am

Stellar filter work. Love how you caught the tide receding out. The tones are magnificent as well.

Peggy - May 31, 2012 - 7:13 am

Wow!! These are all so beautiful. The top one really does it for me. I love how the light from the bridge reflects on the water. Just gorgeous!!

Pamela Paun - May 31, 2012 - 11:57 am

Your pictures put me right in those scene’s. As always, beautiful photographs. Very serene.

Adam Allegro - June 1, 2012 - 12:43 am

Oh man, these are superb. i will need to hit up this spot when i come up north to visit. Well done my friend, fantastic work.

MikeC366 - June 22, 2012 - 4:41 am

Stunning first shot Justin. The rest are good but the first is so unusual. The long exposure at a different vantage point from the norm is just so appealing.